AudioLove

Wavesfactory Sharine

https://www.wavesfactory.com/sharine/

Sonokinetic LARGO

https://www.sonokinetic.net/products/instruments/largo/

Mix with the Masters - Mike Bozzi

Or any other recent Mix with the Masters tutorials

Synth Magic - 8 Oblique S (kontakt)

Custom instrument named and styled after the early computer Peter Zinovieff used in the 1960s.
High quality sample content from vintage sound sourcess
Synth with modulation, Effects & Arpeggiator sections
Over 100 great presets included

https://www.synthmagic.co.uk/8-oblique-s.html

Synth Magic - Polaris (Kontakt)

Custom instrument based on the 80's Polaris Synth
4.2GB of Wavs (NI Lossless Compression to 3.5GB)
Synth, Sequencer and Effects
Will not work with free Kontakt Player.
Over 200 snapshots included



https://www.synthmagic.co.uk/polar.html

Synth Magic - SH - M (kontakt)

Custom instrument based on the Roland SH-1000 monosynth
2.5GB of high quality sample content compressed to 1.5GB using NI's lossless compression
Extensive Synth, Modulation, Performance & Effects
250 great presets included

https://www.synthmagic.co.uk/sh-m.html

Stan Kolev PROGRESSIVE A1

OUTTA LIMITS RECORDINGS PRESENTS
STAN KOLEV - PROGRESSIVE A1

Beatport's Progressive House top charting and #1 selling artist Stan Kolev is back with his second massive sample pack you definitely don't want to miss!

Massive 1.56 GB in size, of the greatest tools and source of inspiration you have been waiting for.

What’s in the collection?

• 20 Atmospheres & Drones
• 25 Bass Loops
• 26 Fx Loops
• 21 Kick Loops
• 30 Percussion Loops
• 33 Synth & Sequences
• 40 Top Loops
• 100% Royalty Free!
• All loops are tempo synced at 123 bpm, Atmospheres & Drones, Bass, Synth & Sequences loops are key labeled.

Download Contains:

• 195 x WAV 44.1kHz, 24 bit
• 195 x AIFF 44.1kHz, 24 bit

Download Size:

• 1.56 GB Unzipped.

http://sounds.beatport.com/pack/stan-kolev-progressive-a1/21542

Music Production School Power Equalization Course

Official Course Link :- https://bit.ly/2AuA3RA

The Power Equalization Course is a comprehensive study of the art of equalization in the mixing process. This 12 week course focuses solely on Equalization processing techniques and includes practical applications and demonstrations every step of the way. You will learn the secrets of Equalization processing used by top professionals in the music industry. This includes my own personal 30 year history of studying the art of mixing with over 30 gold and platinum records and well over 100 million in sales.

Equalization is one of the oldest forms of processing with many variations of filter and design types, used to focus and shape sound. Each technological development brought with it a new level of control that became the techniques that are featured in this course. You will learn everything you need to know about the different types of equalization, vintage equalizers, classic console equalizers, as well as modern digital EQs all the way through to dynamic equalization. You will also learn specific engineering techniques for individual instruments, all with practical step by step explanations and demonstrations.

Equalization is about so much more than individual tracks sounding good in solo. It is about how each sound fits into the whole mix and how the methods you use shape the spacing, separation and depth of individual sounds in your mix. If you want to master the art of equalization in the mixing processing, this course will provide you with all the essential information you need to set you in the right direction.

Music Production School Loudness Course

Official Course Link :- https://bit.ly/2Sgjr7e

Have the Loudness Wars Ruined Music?: ‘Loudness Wars’ have been going on since the 1950’s when someone realized a listener’s attention was heightened if a song played louder than others on the radio. Back then, loudness was primarily achieved at the cutting lathe and the quality of the vinyl used in manufacturing. Over the succeeding decades, improvements in hardware and software technology have enabled loudness levels to progressively increase to near flat-line distortion. Today, in spite of new loudness streaming standards, producers and artists continue pushing the loudness envelope as a creative, as well as competitive, tool in their production work.

Loudness as a Creative Tool: Achieving loudness is a cumulative process that must be considered at every step of the mix if you want full creative control of the final sound. Otherwise, you may be left to the mercy of an overly aggressive mastering process and a thin, pinched, and lifeless master. The Loudness Course is about far more than just getting loud masters. It is about learning the skills that allow you to be creative with it and use it as a tool to shape the sonic signature of your mixes and productions. Loudness can be achieved in many ways ranging from relatively transparent to heavily distorted. The ‘right’ approach is what best suits the style of music and meaning of the song you are working on, not some preconceived limitation imposed by old grumpy people.

Loudness and the Future: The Loudness Course will also cover the current direction of the consumer marketplace including streaming services and media players. It is expected that by 2020 all streaming services and default settings for media players will set their average loudness level to somewhere between -14 and -16 LUFS (Loudness Unit Full Scale), most have already done so. As a result, heavily compressed masters will have their average loudness level set to -14 LUFS. If that master sounds thin, pinched and distorted at a high level, it will sound very small and lifeless when streaming. Does this mean ‘loudness’ is a thing of the past? No way!

Loudness at Any Level: Loudness is more than a meter reading. It is also about perception and recognition of the listener. The more clear, solid and focussed a sound is, regardless of dynamic range, the more perceptible it will be. It that sense, clear perception equates to recognition which equates to perceived loudness, which equates to a loud master regardless of streaming service standards. So how can you achieve this magic? That is exactly what this course is designed to teach you.

Sexy Sounds Drum Kit Reloaded WAV

Digital Music Doctor Mixing & Mastering v4 Know It All

Auto-Tune Vocal Studio

https://www.antarestech.com/product/auto-tune-vocal-studio/

Slate Digital FG-X Mastering Processor

Mastering Software for Windows please

Zero-G - Jungle Warfare Vol 1-3

Zero-G - Jungle Warfare volume 1-3 sample libraries
https://zero-g.co.uk/products/jungle-warfare-volume-1

These are classics!

Cheers

Autodafe - Prophet 600 (Kontakt)

Autodafe Prophet 600 is a recreation of the famous Sequential Circuits Prophet 600 for Kontakt

Rhythmic Robot - Poly 770 (Kontakt)

A Radiophonic Workshop-style synthesist’s delight, fusing a fully polyphonic Korg 770 to a selection of sophisticated controls • ‘External Input’ module brings complex waves from other Korg machines into the signal path: dial up the sounds of the Lambda, PolySix and more! • Faithfully-modelled vintage Traveler circuit for eerie, resonant band-pass filtering • ‘Virtual PWM’, five separate filters, Scale noise, three oscillators + sub… • 40 factory patches and the ever-popular Glitch control to make rolling your own as easy as clicking a button

Synth Magic - Crumar Roady (Kontakt)

This Kontakt instrument is based on the Crumar Roady analogue electric piano, bass and vibes keyboard.
There are 2 main sets of samples consisting of: a clean sample set of the Roady and a set of samples recorded using a vintage tape machine and various effects to create varied sounds which greatly extend the type of tones that can be used.
There is also a easy to use effects section.

Final Cut Pro (older version)

discoDSP Corona Presets By Ronei Leite

Ronei Music Total Access Vol.2 For Discovery discoDSP