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The CB-4 was born from a classic vintage instrument, the Casio SK-1, taken into the lab and circuit-bent. It was opened up, adding switches and hard-wiring new controls that transformed it into a tone monster. Once completed, it was multi-sampled into tube mic preamps. The switches and knobs caused the instrument to produce new textures, drones, and pitches. The jazz organ and pipe organ sounds that were produced were analyzed, mapped, tuned, and looped to create CB-4, a more flexible instrument in the digital realm. Additional flexibility was added: an AMP envelope, a Modulation envelope, 3 types of Filters, a Low Frequency Oscillator, and an effects engine with compression, distortion, chorus, delay, and reverb.

The CB-3 was born from a classic vintage instrument, the Casio SK-1, taken into the lab and circuit-bent. It was opened up, adding switches and hard-wiring new controls that transformed it into a tone monster. Once completed, it was multi-sampled into tube mic preamps. The switches and knobs caused the instrument to produce new textures, drones, and pitches. The piano and synthesizer sounds that were produced were analyzed, mapped, tuned, and looped to create CB-3, a more flexible instrument in the digital realm. Additional flexibility was added: an AMP envelope, a Modulation envelope, 3 types of Filters, a Low Frequency Oscillator, and an effects engine with compression, distortion, chorus, delay, and reverb.

The CB-2 was born from two classic vintage instruments, Casio SK-1 and an Alesis HR-16, taken into the lab and circuit-bent. They were opened up, adding switches, hard wiring new controls that altered them into monsters. Once completed, they were multi-sampled into tube mic preamps. The switches and knobs caused the instruments to produce new textures, drones and multi-sampled pitches. The drum sounds that were produced were analyzed, mapped, tuned, and looped to create new, more flexible instruments in the digital realm. Synthesis was added: an AMP envelope, a Modulation envelope, 3 types of Filters, a Low Frequency Oscillator, and an effects engine with compression, distortion, chorus, delay, and reverb.

Lo{w} and behold.
Cerberus Bass Amplifikation is a 3-channel bass amplifier Rack Extension that will deliver thundering lows straight from your computer. With it's intuitive single screen interface, whatever your playing stye is, pick or fingerstyle in any music you play, Cerberus Bass Amplifikation will provide the warmth and mellowness of tube amp, clarity and punch of solid-state power or turn it up to destruction on the Drive amp type. For further tweaking, Cerberus Bass Amplifikation gives you tonal control through its compressor, contour control, parametric and graphic EQ, and D.I. wetness control. Carefully tuned and carrying enough power to rumble your studio.

Guitar players now have a reason to play Reason. Whatever your playing style is, from country clean to somewhat heavy metal, this amplifier will provide any sound you need. Don't play the guitar? Don't hesitate to use this device on any other instrument as well! Plug in, baby!

OUR BEST AMP SIMULATOR (YET), AMERICAN STYLE!
Second product from Kuassa's 3rd gen Tube Simulation technology following the much hyped Amplifikation Caliburn. Amplifikation Matchlock is inspired by Fender combo amps and thanks to the 3rd gen Tube Simulation engine guarantees a more dynamic natural sounding, realistic amp recording experience for guitarists.

THE CHARM OF BRITISH CHIME AND JANGLY SOUND
The fourth product on our range of Guitar Amp Simulator products utilizing our 3rd generation of our modeling technology. Amplifikation Lancaster is inspired by Vox* combo amps and thanks to the 3rd gen Tube Simulation engine guarantees satisfying, dynamic natural sounding, realistic amp recording experience for guitarists.

Hard rockers, metalheads, raise your horns! Here is another reason to go Reason. Equip your axe and deliver sonic mayhem with this modern high-gain guitar amp, or insert this amp into other device chains to add a steely edge.

NEW BRITISH HEAVINESS - THUNDEROUS ROCKIN' AMPLIFIERS!
The third product from Kuassa's 3rd gen Tube Simulation technology following the much hyped Amplifikation Caliburn and Matchlock. Amplifikation Clarent is inspired by Orange* amps and thanks to the 3rd gen Tube Simulation engine guarantees a more dynamic natural sounding, realistic amp recording experience for guitarists.

Our brand new amp simulator called Amplifikation Caliburn which we are confident to say that this is our best amp yet. This time, it's inspired by Britain's Marshall Amps crafted using our most current 3rd generation modeling technology, resulting a satisfying responsive feel, more dynamic guitar playing experience you'll love.

Déjà Vu Delay Station will add a new toolbox of sound design to your music productions by combining forward delay, reverse, delay, pitch shifting, and equalization in a flexible, easy-to-use rack in Reason.

Drumstix is a 6 slot drumcomputer, armed with 4 repeat modules.
It has a build-in probability sequencer to trigger the repeat modules and/or send external cv pulses during runtime.

Psychedelic HAAS is all about slicing samples! Powered with 4 sample slots, 4 Arpeggiators, a line based Matrix and a CV Pulse Generator it is capable of generating complex patterns and sounds. It's power lies in it's ability to alter sample start points on arpeggiator based settings.

The TrixMate CV Switch is made to function as an add-on to the well known 'matrix' pattern sequencer(s). Hook up 4 matrixes and let the randomizer switch their inputs!

Psychedelic Haas Matrix Signal Switch is a small and simple device designed to switch the CV input of to different CV outputs. This can be a great tool when you want one particular pattern(i.e. a matrix pattern sequencer) to be chopped up and sended to different devices