AudioLove

PhoenixVerb brings clear, lifelike dimension to your mixes. Whether crafting spaces from scratch or using one of over 900 presets, it’s never been easier to create natural, authentic depth for your music.

PhoenixVerb Surround delivers the signature transparent reflections of PhoenixVerb, now with multichannel support up to 7.1. From mixing dialogue and music to placing foley and sound effects, PhoenixVerb Surround's comprehensive interface and advanced surround controls make it the perfect tool for any audio post job.

C-78 is a new transparent Compressor and Limiter. it does a great job at controlling and smoothing everything out…. Broadcast quality Limiter. It was difficult to design a simple transparent compressor but here it is.

The Level Control is an advanced mix monitoring plug-in with a volume control, selection channels (stereo | Left | Right), DIM and level metering. RMS-based scales with an integrated sample peak meters,

Authentic Tube-Sound! Gistortion is a unique bass/guitar effect. It will add colour and flavour to your guitar and bass. It will also enhance the place of your guitar and bass in your mixes.

Tube EQ has a reputation for a warm sound produced by the introduction of even-order- harmonic distortion. Even-and odd-order harmonics are related to the overtone series that gives instruments their particular timbre. FDN series can emulate several types of guitar amplifiers and shape the overdrive sound.

Even harmonics are some number of octaves above the original note. Examples (for A at 440 Hz)2nd harmonic: 880 Hz - up one octave 4th harmonic: 1760 Hz - up two octaves The 3rd odd harmonic is an octave plus a fifth above the fundamental.3rd harmonic: 1320 Hz - E above the A at 880 Hz.

DelFeed, a real old school solid-state analog delay* effect like ping-pong delay, slap-back echo…. Analog delay plugin. Up to 2000 ms delay time. Infinite feedback.

The H.L.S Drive plug-in amazingly emulates the rich-sounding Tube saturation behaviors that keep radical EQ moves sounding ultra-musical, even at extreme settings. It is based closely on the Type 69 EQ which is very musical. Add character and clean up a mix with H.L.S Drive.

Even- order harmonics produce smooth, musical characteristics as opposed to odd- order harmonics, which tend to sound harsh. FD1/2/3N ' tend to introduce some degree of even-order harmonic distortion that produces a “warming” effect by thickening the overtones of the original signal.

Smoothness and transparency. BeComp is a dynamics processor that will change the way you use and think about compressors and compression. The inherently rich and colorful tone of the BeComp helps glue tracks together. The BeComp is the thickest and heavy sounding compressor/limiters. it's also quite handy for pumping up individual tracks. It comes in mono, mono -to- stereo and stereo versions.

The B-Comp is a stereo compressor. it was originally designed after testing diode bridge compressors. The Vintage/Modern options vary the attack and release characteristics of the processor and will vary the 'colour' of the output. Switch between them to hear the difference and select what works for you. This switch has more to do with 'colour' or 'feel' of the sound

With high shelf and low shelf EQ , damping controls and flexible graphic interface, Babelonne-D Digital Reverb gives you the flexibility you need from a reverb effect. It will create extraordinarily natural-sounding virtual acoustic spaces. The result is sound so real and not artificial.

RA is a Nonlinear plug-in for the professional Audio Engineers that demand the most from their plug-ins. The plug-in can be thought of as an amplifier that is being over driven, (Wave Form Compression), but there is control over what part is being overdriven. An analogy from photography, it is like the curve function.

Designer Dave Hill has crafted this software with the same attention to detail he used to create the electronics for ATR Service's much heralded "Aria" discrete tape recorders. His intimate knowledge of analog electronics, as well as decades of experience as a recording engineer has spawned a very useful, musical suite of plug-ins. The Phoenix II process not only incorporates the nonlinear saturation characteristics created by magnetic tape itself, but also includes the interrelation of an analog tape recorder's record/reproduce electronics and equalization curves.