AudioLove

These are some eerie "Piano Vibes" that are ready for those drums that will give you the "Ugly Face"!

Just when you think Louis Futon has weaved his stylings into as many cool sounds as you can imagine, he takes it a step further. Volume 3 of Pretty Cool Sounds delivers drum and percussion loops and one-shots, melodic loops and phrases from organs, guitars, synths, and many other instruments, and way more. If you're looking for sounds that bridge and blend R&B and hip hop in a surprising but effortless way, look no further.

LOST SOUL brings you an eerie selection of dark & dazed lo-fi melody loops and hooks featuring ghostly bells, atmospheric pads, uneasy keys, spacey synths, warbling Rhodes and more. Designed purely to inspire your next RnB Soul, Lo-Fi Trap, Hip Hop or Trap production.

When you think of bass music, how can you not think of Modestep? They’ve played almost every major festival in the world from Coachella to Rock AM ring, had numerous chart hits and have continued to lead the way in the bass music world for over 11 years. Modestep’s debut sample pack, ‘Bass Evolution’ gives you everything you need if you’re wanting to crush it in the dance music arena. With over 1000 samples you can expect, catchy vocal lines, punchy drums, carefully crafted bass shots and much more. This pack is a must have for any dance music producer!

Dropgun Samples presents a new sample pack in the style of oldschool hip-hop called "Chill LoFi Hip Hop".

Travel back in time to an epoch of dance music where techno, hardcore, and new beat meshed to create Techno Rave: a warehouse party-inspired sound primed for 90s era dancefloors. Featuring post-industrial stabs, gabber-fused kicks, and early trance motifs, this collection features tools and elements ideal for producers and DJs alike seeking to inject oldskool rave character into their productions and mixes.

This one might be his favorites because of the variety of sounds. I got 5 brand new curated, original Drum breaks played by J-Zone. I've introduced my new sound library SBM Music! Peep the 2 "Sunbake" compositions for your sampling pleasures. Of course I have new bass tones, filthy new drum sounds and a ton of one shot musical sounds from my personal collection and archives. Per previous kits I've also included drums used on the joints you see the video's for! ENJOY .

Concluding his three part series, teaching the fundamentals of House production using Ableton Push, Paul Maddox returns to give you the lowdown on arrangement and automation, completing the track he began in parts 1 and 2. As a solo artist and as part of the duo Spektre, Paul has had numerous releases on popular labels and support from headline DJ acts across the globe. His wealth of experience combined with his knowledge of Live and passion for teaching come together in this series of tutorials, as he imparts professional tips and tricks in a clear and concise manner.

Under the stage name St. Vincent, Annie Clark has won Grammys while remaining fiercely innovative and true to herself. Now Annie is opening the door to her process to teach you how to explore your creativity. Learn how to record music, write songs, improve your guitar skills, and embrace your vulnerability. Let Annie guide you through the ups and downs of creating art so you can share what's in your heart with the world.

A collection of electric guitar chord stabs recorded using a Fender electric guitar through a valve amplifier. The chords span one octave and include major and minor variations. The guitar sound is clean with a slight crunch and is suitable for a range of productions and suits lo-fi genres particularly well.

In this digital age of music, analog tools still reign supreme in sound and prestige. From outboard gear, to synthesizers, and even down to guitar pedals, nothing beats the thick and present sound of analog gear.

There is no doubt about it; electronic music is running today’s music scene. However, with the recent arrival of virtual instruments and digital sounds, we have gotten away from the thick sounds of analog synthesis once prevalent in past decades. “Electro-Wave” is our answer to this dilemma. With huge, pulsing analog synths and dancing arpeggios, we have found the meeting place between analog warmth and modernity! This sample pack features 10 Melodic Loops (stems included) of meticulous synth programming from newer instruments like the Moog Sirin, and the Korg Minilogue, as well as vintage synths like the Moog Opus 3. “Electro-Wave” is packed with just under 50 synth one-shots already chopped, and ready to be dropped into the sampler of your choice.

The sound of southern hip-hop was not always exclusively trap. A sound laced with live guitar, bass, and organ once ruled the scene with artists like Outkast, T.I., and Nappy Roots. With our latest sample pack titled “Mason-Dixon”, we nailed this era of hip-hop, and captured authentic down-south hip-hop vibes. “Mason-Dixon” features 10 Melodic Loops with stems included, and over 70 one-shots of guitar, electric piano, and organ. Download today to inject some dirty-south grit into your productions!

The beauty of the season beginning to change is enough inspiration in itself to create. Just In case you need some new inspiration, Soul Surplus presents, Autumn Bliss. This 425+MB sample pack comes with 10 melodic loop compositions filled with over 200 instrument loops and one-shots! Recorded in the spirit of the recent new soul riot music made by artists like Childish Gambino and Tyler the Creator, Autumn Bliss is sure to include everything from quirky soulful marimba grooves to wailing distorted guitar riffs. And of course, it’s all in the easy 4-8 bar drag and drop format, making your job effortless. Grab your copy today and make the soundtrack of the season!

Synthesizers drove the sound of pop music in the 1980’s. Listening to iconic jams like “I Feel For You” by Chaka Khan, and “I Wanna Dance With Somebody” by Whitney Houston showcase how the instrument was the base of many, if not most pop arrangements of the era. With the introduction of polyphonic analog synthesis in the late 70’s, as well as the introduction of FM synthesis in the 80’s, the pop music of yesteryear was a colorful palette of analog and digital synthesis. The perfect sonic complement to this was the signature gated reverb, “Phil Collins” drum sound of the 80’s. Drums were meant to sound big, and loud. In the 1970’s, drums were big, and loud, but usually dry and took on the sound of a small room. Fast forward a decade, and nearly every live and sampled drum sound is dipped in a glaze of digital, plate, or hall reverb.