AudioLove

Gig Performer Version 5 comes with many new features and enhancements. Here we explore a selection of the highlights from the new features. Just hover over each tile for more information (or tap each tile on a touch screen device).

Stunning Phaser is an extremely high quality, stereo (or mono), internally oversampled, VST/AU phaser effect plug-in. In addition to the usual LFO, Stunning Phaser also offers a very organic and dynamic sounding envelope follower, multiple LFO waveforms, and our very own Gliss-quanti™ - an automatic sample-and-hold function that divides LFO waveforms up into discreet steps for exciting new possibilities you've never heard a phaser do before!

Poly-Ana is finally here! Get ready for a new experience in virtual analog synthesis! Poly-Ana uses a different approach than most other VA soft-synths which we feel delivers a sound more authentic to the early analog synths that inspired her features. This "brute-force" method admittedly requires more processing power than other common techniques, but is a far truer model of the functioning of real analog instruments.

SCAMP is a resonant low/highpass filter plugin VST and Audio Unit effect for Windows and Mac OSX with a very convincing, classic sound. SCAMP features a separate envelope follower for each of 6 channels, a host-syncable LFO with multiple waveforms, as well as our unique Gliss-quanti™ feature for creating staircased LFO waveforms from the basic waveshapes. Also supported is full automation support and MIDI CC control of the filter cutoff frequency.

One of the witch took time to reverse RLM after all major MAGIX products went to BorisFX. Once you install properly, all upcoming updates are ready to use for you without waiting R2R release.

R2R System contains essential tools and runtimes for our releases.

⟶ 252 Drum One-Shots ⟶ 176 Drum MIDIs ⟶ 17 Acapellas

This kit means a lot to me. This is the 3rd iteration of the Megalodon series, with the first being all the way back in 2022. I’ve been making this Glory sound for about 3 years now, and it’s so cool to see this sound starting to come back to life! Hopefully this sound kit can add to the movement #bringbackglory

A somewhat rare and legendary amp. This is based on the VHT Pittbull CL100. It has the EL34 output section which simply roars with this circuit. It's raw, uncompromising, somewhat British but more modern than anything with an M-badge.

Escape the everyday and reconnect with the tranquility of the natural world with "Mother Nature Sound FX – Breathtaking Natural SFX." This expansive collection brings the raw beauty and immersive soundscapes of the outdoors directly to your ears. Perfect for relaxation, meditation, sound design, or simply creating a peaceful atmosphere, these high-quality sound effects will transport you to pristine forests, crashing ocean waves, and beyond.

Elevate your projects with Movie Sound Design & Foley FX, a meticulously curated collection of 99 high-quality sound effects designed for professional audio work. This royalty-free library is the perfect resource for filmmakers, game developers, video editors, and sound designers seeking impactful and versatile sound assets.

Bring the Orchestra to Your Fingertips! "Musical Elements – Orchestra Sound Effects" provides a stunning collection of high-quality orchestral sounds, perfect for music producers, composers, educators, and anyone who loves the sound of a full orchestra.

Totally underrated monster of an amp. The clean channel is almost an exact clone of an AC30 (with an optional boost) and the lead channel is almost 1:1 a JCM800 2203. It has no bright cap in the circuit, and the tone stack has a small tweak which lowers the bass frequency to a deeper position. There is also an optional gain stage added before the circuit, and a resonance switch which changes negative feedback (like going between a 2203 and 2204).

The Pack contains:

-80 Top loops
-77 Percussion loops
-27 Bass loops
-20 Music Loops
-10 Hats Loops
-15 Fx
-10 kick Loops
-20 Fills

An iconic amp and possibly the most underrated from the product line. It's very similar to the original 5150 design, with some subtle tweaks to tighten up the front end. It's more articulate and upfront, but just as monstrous and massive sounding. I think this might well be my favourite variant of 5150's - it's more natural and bigger sounding than the newer EVH line, and not quite as loose as the original 5150.