AudioLove

Si eres Productor Musical quizás te gustaría saber.... ¿Por qué tus mezclas no tienen la profundidad de las grandes producciones? ¿Por qué al usar reverbs y delays tu música suena a "maqueta" mientras que las canciones nº1 suenan «increíblemente perfectas»?

No longer will you have to be opening up and jumping between a bunch of different plugins to create some cool effects ?

Pedals comes with 6 different incredible sounding effects:

Learn step-by-step how to make songs like Amelie Lens, Charlotte de Witte,.. Learn to create Techno like artists such as Charlotte de Witte or Amelie Lens. From crafting industrial drums to adding atmospheric effects and vocal elements. Each lesson is carefully structured to help you build a techno track from scratch. Download the techno sample pack and get started right away!

Step into the future of pop. This pack blends the nostalgic vibes of synthwave, synth pop, atmospheric funk and more genres with cutting-edge cybernetic textures, delivering a futuristic sound perfect for genre bending productions. Featuring ethereal vocals, and shimmering synths, this is everything you need to create tracks that feel like tomorrow. Whether you're producing hyperpop, commercial pop or experimental electronic music, these sounds will take your creativity into a new dimension.

'Future Bounce Melodies Vol 5' brings you another set of 40 catchy melody Kits splitted into bass, chords and lead MIDI loops. This pack was inspired by artists such as Mike Williams, Mesto, Jordi Rivera, Justin Mylo, Curbi and many more.

A revolutionary concept in rig modeling, and the core of the TONEX ecosystem, TONEX software uses breakthrough AI Machine Modeling™ technology to let you model the sound of any amp, cabinet, combo or pedal, and turn it into a plug-in, all with a sonic accuracy that's virtually indistinguishable from the real thing. You can instantly play up to 1,000+ Tone Models already available plus browse, demo and download the growing number of Tone Models available on TONEX in ToneNET.

A perfectly emulated and enhanced FET compressor. Fast, characterful and versatile, it is the ultimate control for modern mixes. A compressor that eats transients for breakfast, the 1178 is a rare and expensive legend of the recording studio, cleaner and more versatile than its older brother, the 1176. The 1178 has been used by great producers including Chris Lord-Alge (My Chemical Romance), Bob Clearmountain (Rolling Stones, Christina Aguilera), Yvan Bing (Phil Collins) and Nigel Godrich (Radiohead).

An accurate emulation of the Neumann w495 3-band EQ. Neumann w495 EQ's were used to master 90% of the vinyl records manufactured from the 1970s to the 1990s. But even after this golden age, many mastering engineers still love this EQ. Why? Because the w495 has wide equalization curves that can be pushed to ridiculous levels while remaining musical. The w495 is an easy-to-use tone shaper for individual tracks. But It can also enhance presence and depth of an entire mix.

Hundreds of vocal mixing colors just 2 clicks away. Like it or not, a pro-sounding vocal is a produced one. A polished, pro-sounding vocal is the result of deliberate production choices made from years of experience. This typically requires multiple plugins, intricate routing, and painstaking comparisons – a process that can be both time-consuming and even overwhelming.

Smasher is an unprecedented custom modification of the classic Urei 1176 compressor circuit, a unique formula that we stumbled upon while fine-tuning other algorithms.

The real sound of spring reverberations. Six customized classic spring reverb models. TIMELESS ORGANIC & VINTAGE REVERB. Spring reverbs are highly sought-after vintage audio equipment, but their rarity and high cost can make them inaccessible to many. Known for their unique, warm, characterful and organic tone, these reverbs have forged a sonic identity that spanned from the '50s to the '70s, and is back in vogue today.

A wild EQ modeled after a rare and mythic console turned into an easy-to-use modern tool. CONTROL THE BEAST. Ask an engineer for a shortlist of EQs that make their eyes and ears sparkle, and they'll probably mention an inductor-based design with a nautical name that conjures up images of the god Poseidon. The EQ section of this rare and legendary console made the sound of records you might have grown up with: Queen, The Beatles, David Bowie, The Rolling Stones… Let's just say it's “tried and tested”.

There are several reasons to use a variable-bias tube compressor. One is the exceptional compression transparency that this kind of compressor can achieve, even when pushed into extreme gain reduction. Another – and perhaps the most common – is their ability to add cohesion or “glue” to buses, whole mixes and masters.

The most complete passive EQ plugin. Musical and intuitive, a must-have for mixing and mastering.

The Pulsar Echorec is a software emulation of the iconic echo/delay unit of the same name produced by the Italian brand Binson in the 1960s. The sound of this magnetic disk delay differs from the tape delays used at the time, and has largely contributed to the audio signature of many 70s bands: Pink Floyd, The Shadows, Jimmy Page etc.