AudioLove

A filter on steroids.
Go from shimmering bright to warm and wide with a twist of a knob!

This Mk II version of our beloved Tube-Tech Classic Channel benefits from all the sonic improvements to its component parts – a ground-up remodel of the CL 1B, and revamped EQs using our very latest signal processing technology.

Light the fuse.
In the 1800s, a Swede named Alfred Nobel invented dynamite. In the 1980s, an American named Paul Buff created Dyna-mite. Could the two have ever imagined that, someday, worlds would collide and produce the most perfectly unruly processor plug-in known to man?

The Classic Channel is not your everyday channel strip, with a surgical equalizer and fast bus compressor. The Classic Channel is a vintage style and warm sounding channel strip put together from the most famous and classic Tube-Tech gear: The “Pultec” equalizer PE 1C, the mid-range equalizer ME 1B and the tube driven opto compressor CL 1B.

The user interface of the ME 1B is pretty straightforward. You have three different sections, the Low Frequency Peak, Mid Frequency Dip and the High Frequency Peak. The only confusing thing is that the mid section never boosts, but always attenuates the selected frequency. The other two sections, low and high frequency, always boost the frequencies. But as soon as you start to use the ME 1B in conjunction with the Tube-Tech PE 1C 'Pultec' Equalizer you'll find that these equalizers complement each other perfectly.

The real battle for getting a clear and vibrant mix is often fought in the midrange frequencies. The Tube-Tech ME 1B is a tube-driven passive equalizer that addresses the midrange—and only the midrange. So gear up, soldier and go, go, go!

The Tube-Tech CL 1B is a modern classic for a very good reason. As a vocal compressor in particular, its mixture of characteristic warm slow opto gain reduction and surprisingly versatile can’t-sound-bad operation have made it a staple across a wider variety of genres than perhaps any other optical compressor. Classic rock, cutting-edge pop, rap and hip hop, EDM… you name it.

Timeless equalizers revitalized.
Fat, tube-driven, passive equalizers can be so much more than functional tools. They impart character and style to any source; drums, synths, vocals, guitars, strings, brass… you name it! As such, they’ve been sought after in top-of-the-line international studios for decades, and their sound enriches the textures of thousands of classic records, in every genre you can imagine.

True stereo algorithmic reverb.
The TSAR-1 Reverb is not an emulation. It's not a stock design. It's not a static snapshot of a space. The TSAR-1 is a powerful, modern reverb algorithm. It's alive and vibrant, it's gentle and dreamy, and above all - it's natural and believable.

When your mix lacks that certain something, Softube's Spring Reverb may very well be it.

60 custom loops created by Cv of Internet Money.

A Complete Introduction To The Art Of Creating Music For Hollywood Trailers.

Synthsation Vol 1 for Apple Logic Pro X & MainStage 3

Custom worship patches for Logic Pro X & MainStage 3 users, designed by Abel Mendoza.

In the first edition of Rob Garland’s Chord Navigator: CAGED Triads, you explored the power of triads as a rhythm and comping device. You worked with the CAGED system to quickly construct and play major, minor, diminished and augmented triads using the CAGED chord system.

Sak Noel (born Isaac Mahmood Noell) is a Spanish DJ, record producer, songwriter, and music video director. He's best known for the international hits "Loca People," "Paso," "No Boyfriend (No Problem)" with Mayra Verónica, which debuted at number 40 on the Billboard Dance/Mix Show Airplay chart, and "Trumpets" with Salvi and Sean Paul.