AudioLove

FLO$$ is a new sample pack originally produced by SHOBEATS that brings you 5 high-quality construction kits, with banging 808s, clean sounds, tuned electronic sounds & hard-hitting drums, to boost your productions to the heart of the trap sound. SHOBEATS carefully crafted the sounds you need to achieve this sought-after sound in the style of Lil Skies, Juice WRLD, DRAKE, Lil Uzi Vert, XXXTentacion, Future, Young Thug, Travis Scott, Tory Lanez, TM88, Metro Boomin' and more.

Textural Percussion Vol. 2 by Prism House is a collection of 80 percussive field recordings captured at various locations in New York City. The sounds were recorded by banging on various objects and everyday materials to create unique and textured percussive hits and ambient/foley FX. Every sound was recorded using the Zoom H2N recorder set to Mid-Side to create a true stereo image of the audio. This pack is especially useful for adding an organic flavor to your tracks or layering overtop classic drum machine sounds or basic percussion elements.

PACK SUMMARY MIDI AND PRESETS INCLUDED

12 808S
6 CLAPS
4 OPEN HATS
11 CLOSED HATS
5 KICKS
5 PERCS
5 SNARES
12 MIXING PRESETS

High Quality Lil Mister's Kit.

16 x 808s / 10 x Claps / 22 x Hats / 7 x Kicks
Over 50 Mixer Presets for FL Studio / 26 x Percs / 14 x Snares

Energetic, rhythmic and creative drum track that feature marching band percussive instruments. Perfect for advertising, corporate identity, sports videos, commercials, action scenes, dynamic videos, vlogs and many more.

Learn to use your audio skills to start getting gigs as a Reality TV sound mixer. Plus, get a bonus download from our guest mixer, Blair Halver. During this episode, you'll learn how to use a boom correctly, how to use lavs and field mixers correctly. Blair covers on location gear signal flow, a few different gear setups, and some details about camera use. You'll also learn about the reality sound industry, including where to find this type of gig, and how to get the gig.

Predator 2 is the successor of a legendary synthesizer that has inspired many artists/composers and appears on countless music tracks! As before it combines inspiring presets and cutting edge features to make this your ‘go-to’ synth for contemporary music production. The user interface has again been designed so that almost all main controls are visible on screen, making it fun and incredibly easy-to-use.

First released in 2005 BLUE already reflected Rob Papen’s cutting-edge, creative, and — most importantly — musical approach towards developing virtual instruments by first delivering FM and subtractive synthesis, then duly adding Phase Distortion and wave shaping synthesis into the highly creative mix to create one seriously creative combination. Rob Papen himself called it ‘Cross-fusion synthesis’ since it covered so much musical ground so effectively.

SubBoomBass 2 is the successor of the legendary SubBoomBass!
Its GUI (graphical user interface) has received a makeover for more comfortable control ofall features. SubBoomBass 2 still has its analogue modelled waveforms on board, but the sound
colour has been expanded with new spectrum waveforms, new creative ‘think out of the box’ high quality samples and introducing Karplus-Strong string synthesis!

In the Rob Papen world of synthesis there was one type of synthesizer missing… A synthesizer that has all of the controls and features available visually all at once.

The current Rob Papen collection holds synthesizers which contain many features and types of synthesis which sometimes can be daunting to the average user. But there is always something tempting and fun in something that is so simple!

Vecto was originally created for the Propellerhead Reason RE platform, however we have received many requests asking if this great synthesizer also could be available for other platforms.

Welcome to -MasterMagic- the plug-in that you will not want to miss anymore as part of your virtual mixer master section! Just place -MasterMagic- at the very end of the master FX chain and be surprised how much it can do for your track! The ‘Mono/Stereo’ section, will make your low end much tighter and the ‘AIR’ function is sheer magic…even if you only use it a tiny amount.

If you want some valuable mixing philosophy and advice, tune into this episode with multi-Grammy winning engineer, Mike Harris. During this episode, Mike deconstructs a mix with us from start to finish. We discuss how he got his start in analog, and how his methods have evolved with the switch to digital.

Big epic percussion track, with constant energy flow, no pauses and a small escalation in the end. Checked with different test videos and blends perfectly with SFX and VO.