AudioLove

A Step-By-Step Easy to Follow Adobe Audition Course for Beginners through to Advanced Voice-Over Talents and Presenters. What's the key to real success as a voiceover?

In this companion to the 401 Producing "In The Box" course, Certified Trainer Noah Pred edits, mixes and masters a track he has sketched out in the Arrange View using Ableton Live 11. Now that the rough arrangement is recorded, it's time change your headspace from raw creativity to detailed editing!

We're excited to present our first ever series featuring the eclectic grammy-winning engineer and producer Rafa Sardina! Hosted at his private Los Angeles studio, this installment focuses on the vibrant mix of 'Aquí Estoy Yo' by Diego Torres. Sardina takes you through his expansive yet highly efficient hybrid setup that comprises a SSL Duality console, Oracle summing mixer, Maselec master transfer console, outboard racks, and Pro Tools. He recalls the 2015 session, comments on the rough mix, and compares it to his own.

Welcome to Studios La Fabrique for a comprehensive series on unorthodox drum recording with Tchad Blake! This two-hour workshop involves the boldly creative engineer sharing his approach to efficient tracking and daring signal treatment. Blake demonstrates the sonic versatility of his simple setup, then embarks on a journey of mechanical filtering, unconventional processing, and adding gated soundscapes. Tchad explains his workflow, suggests alternative microphones and gear, and imparts his extensive knowledge garnered over an illustrious career.

Enter the studio with Matt Schaeffer, recording and mixing engineer for Kendrick Lamar since 2014. In this series, we explore the multi-track mix session of 'All the Stars' by Lamar & SZA, a song from the 2018 blockbuster movie 'Black Panther'. Schaeffer outlines the recording and production process of the track, yet focusses primarily on the techniques used in his fully 'In The Box' mix. He discusses monitoring, metering, level calibration, headroom, analog summing emulation, microphones, the benefits of stacking compressors and de-essers, and much more.

Step inside Full Mongrel studio for a distortion workshop with the king of crunch, Tchad Blake! With the multi-track session of gritty rock anthem 'R U Mine' by The Artic Monkeys, Blake demonstrates his creative techniques of harmonic enhancement to infuse raw recordings with character. Focussing primarily on drums, he discusses and shows his approach to treating the kick, snare, and full kit with distortion, compression, expansion, phase alteration, pitch-bending, and EQ.

Musicians and singers in the Black church are often referred to as psalmists. Devotional songs and hymns sometimes only need to be played and sung by one person for a moment of reflection and prayer. So many psalmists develop their skills so that they can play and sing simultaneously.

Mastering 'In My Blood' by Shawn Mendes. Welcome to Sterling Sound studios for our debut video release with Joe LaPorta! In this series, the Grammy-winning mastering engineer tells the story of his professional journey, then gives insight into his current working environment and practices. He discusses many important topics, including the correlation between dynamic range and streaming playback level, studio monitoring, and analog vs. digital processing. He also demonstrates his approach to mastering two sonically contrasting mixes from the acts Shawn Mendes, Run the Jewels.

Join the eminent score mixer Alan Meyerson at Remote Control Productions for a workshop video series featuring the impactful video game soundtrack of 'Gears of War', composed by Ramin Djawadi. In these five independent parts, Meyerson discusses and demonstrates some of his favourite mixing techniques for a variety of common tasks – enhancing percussion, adding size to low end, spreading and softening a mono signal, stereo field manipulation, and controlling frequencies with multiband dynamics processing.

Enter the compelling world of film score mixing at Studios La Fabrique with the acclaimed engineer Alan Meyerson! We explore the multi-track of a piece from the 2018 sci-fi action movie 'The Predator', composed by Henry Jackman and recorded at the Newman Scoring Stage of 20th Century Fox. Meyerson reveals his microphone, preamp and signal routing decisions at the tracking stage, then takes you through every aspect of the intricate Pro Tools session.

A Computer Music magazine subscription is the complete guide to making music with a computer. There are millions of potential musicians out there and this magazine will help them get the right software and hardware and show them how to use it. Technology is now at a stage where computer users can complete virtually every musical task in the computer domain. Computer Music magazine subscription enables computer owners to develop their musical interest and expertise.

For the 11th installment of Vocal Megapack our team worked together with a new breed of talented vocalists coming from all the world and recorded in our Audentity Records studios.

Vocal Megapack 11 explores many interesting genres; from Pop or Nu- Disco till EDM and progressive genr

After an interlude composing modern genres, what a pleasure going back to our roots! Inspired by our favorite artists and records, "Soultown" gets you deep into the magic of soul music with no less than 550MB of content. Rolling in at 80-170bpm, "Soultown" will prove perfect for Hip-Hop, Downtempo, Breakbeat, Soul, House and even more. Groove, Soul, Funk, Love, Warm, Vintage are the keywords of this new collection...Be prepared to shake your body!

Much like an impressionist painting, these samples capture the life and movement of the environment around us in a way that leaves plenty of room for imaginative interpretation. Influenced by the dark crispness of a cold winter, we pulled inspiration from German and French electronic music pioneers like Kraftwerk, Gesaffelstein, Nicolas Jaar, Kavinsky, and Cassius.

Skitter and Step inhabits the space where growling basses, rinsing pads and jarring melodies collide with jagged, broken percussion. The cavernous spaces, dubby basses and tight drums are ready for production but were designed for deep sound manipulation.