AudioLove

This punchy soundset that covers everything for electronic music of the darker kind. Highly energetic sounds for areas such as EBM, Synth Pop, Dark Electro, Future Pop, Electro Wave and Minimal Electro Pop. All sounds on highest level of musical playability, usability and inspiration.

Originally started as quiz game on one musical forum in which users were required to guess which sounds originated from the Blofeld and which from Juno 60. Sounds were carefully programmed into Blofeld to match Juno 60 as close as possible. Result: about 50% of people couldn't tell one from another.

The Main drums I use all in one kit,

10 808s
7 Claps
8 Hi Hats
7 Kicks
6 Open Hats
10 Percussions
9 Snares

BEST DRUMKITS EVER*

12 x 808s
11x Claps
16 x Kicks
10 x Loops
7 x Openhats
26 x Percs
26 x Snares
5 x RnB Vocal Chopz

Kuvert defines a whole new way of dealing with effects. In short, Kuvert allows you to draw five different envelopes. These envelopes control different effect parameters, and can be drawn freely or onto a grid. The envelopes are looped, while the incoming audio isn’t (unless you’re feeding it looped material of course). This is a powerful & fun way of altering your sounds to reach a whole new level, sometimes not even recognizable! Thanks to the looping nature of the plug-in, it will fit very well into any musical context.

Bolt is Nektar's first foray into the world of virtual instruments. It employs a new form of synthesis with unique sonic character and intuitive user interface.

Synced Band Splitter
Gaffel is a tool that splits audio into different frequency bands. Using it on multiple channels lets the user create multiband effect(s) out of any other plugin installed. Frequency parameters are globally synchronized between different instances of the plug in if they’re set to the same group, which makes it really convenient to work with in any DAW.

In the virtual music world there are a countless number of different EQ’s available...so why another one?
Well, Rob Papen is all about sound and he was convinced he could add something special to the EQ plugins.

RP-Distort is not just a distortion unit, but much more. The distortion unit inside RP-Distort can be combined with an analog modelled filter, compressor and widener unit.

These units can be re-order, but also can be turned on or off. So in case you only want a great analog modelled filter... RP-Distort can offer this. Or only the unique widener unit which is great for widening a boring mono track.

As you will probably know, a modulator is a term that is used in synthesizers. They are
various types of settings that can change and alter a sound. With RP-AMOD you can use
it's modulators to alter your audio in different ways.

Finally, a de-esser that doesn’t suck.

Esspresso is a fast, beautiful & powerful de-esser for everyone doing audio recording. De-essers have previously been aimed towards highly professional audio producers that needs full control over the sibilance (high frequency noises) in their mix. These noises can bring trouble to your overall sound – for example if you want a ”crisp” tone to the voice and add the EQ, the S’s will eventually distort and make it hard to balance the mix.

Get the point of a needle, without the needle.

DAW LP is a vinyl player simulation plug-in for Mac & Windows (AU/VST/AAX), and iPad (AUv3). It simulates various artifacts associated with vinyl – all the way from the vinyl record surface, to the output cable of the RIAA amplifier. Tune in anything from an old 78:s player to a modern HiFi sound.

15 custom samples composed by Kyle Stemberger.

Created with authentic vintage instruments and hardware effects along with a mixture of analog and digital synthesizers.

This Project is based on Kawai K1 synthesizer, an underrated digital synth that came in production in late 80s (1988-89).

The sampled sounds contained in this library are mostly custom made programmed sounds on the original hardware synth.

In Statistics in Music Education Research, author Joshua Russell explains the process of using a range of statistical analyses from inception to research design to data entry to final analysis using understandable descriptions and examples from extant music education research. He explores four main aspects of music education research: understanding logical concepts of statistical procedures and their outcomes; critiquing the use of different procedures in extant and developing research; applying the correct statistical model for not only any given dataset, but also the correct logic determining which model to employ; and reporting the results of a given statistical procedure clearly and in a way that provides adequate information for the reader to determine if the data analysis is accurate and interpretable.