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Splice Sounds The Kount Sample Pack Vol. 4 [WAV]

Splice Sounds The Kount Sample Pack Vol. 4
FANTASTiC | 08 April 2024 | 181.85 MB
The Kount returns, offering all of the warmth and versatility you’ve come to expect with his new Splice pack “The Kount Sample Pack Vol. 4”. Utilizing a collection of vintage drums, synths, and effects, The Kount delivers cutting edge sounds while still retaining the rare human touch that he’s known for.
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Splice Sessions Afro Kompa [WAV]

Splice Sessions Afro Kompa
FANTASTiC | 08 April 2024 | 506.96 MB
Kompa is a popular form of jazz-based dance music pioneered in Haiti during the 1950s by the band Conjunto, led by Nemours Jean-Baptiste. It was derived from méringue de salon, a string-based style of Haitian dance music inspired by contra dance from Europe.
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Sonic Collective Orbital Shoegaze [WAV]

Sonic Collective Orbital Shoegaze
FANTASTiC | 08 April 2024 | 702.45 MB
Exploring the moods of shoegaze from a contemporary angle, this collection of hazy tones goes beyond the expected electric guitar and bass to incorporate an arsenal of modern analog synths and pedals run through Neve, SSL and API preamps. Warbly, phased out, downtempo synth stacks and atmospheres comprise the pack alongside chorused electric bass and chime-like guitar melodies. For fans of Durum Column, My Bloody Valentine and Oval, Orbital Shoegaze is a fresh interpretation of the genre while expanding its scope.
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nnirror magic eye [Max for Live]

nnirror magic eye
FANTASTiC | 08 April 2024 | 120 MB
magic eye is a Max for Live audio effect device for video-controlled granular synthesis. The brightness of the selected pixel in the 256x256 viewfinder controls where the next audio grain comes from: darker pixels create grains from earlier in the source audio file, and brighter pixels create grains from later.
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One Man Tribe Organic Crisp Hi Hats [WAV]

One Man Tribe Organic Crisp Hi Hats
FANTASTiC | 08 April 2024 | 39 MB
Organic Crisp Hi Hats consists of 150 organic crisp hi-hat one shots that were created by combining hundreds of small instruments, pieces of metal, wood, and scrap materials. Each sound is a documentation of a specific setting that will never be captured again. Super crisp high frequencies organically produced and played with no FX. These sounds were recorded to inspire creators from a wide range of musical genres, from Electronic to Hip Hop and from Tribal to Trap. As a bonus, you can find 13 loops made from the pack's one shots. Performed and produced by Ben Aylon.
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David Hilowitz MINI GAN Analog Synth [Patreon Exclusive] [Decent Sampler] [Synth Presets]

David Hilowitz MINI GAN Analog Synth [Patreon Exclusive] [Decent Sampler]
FANTASTiC | 08 April 2024 | 57 MB
I recently purchased an analog synth kit from 1979. As soon as I had finished soldering the instrument together, I sampled it and turned it into a Decent Sampler instrument. As you’ll see, it’s a fairly basic analog synth although I did a bunch of controls that aren’t on the actual unit: ADSR envelope, Reverb, Chorus, and Vibrato to the controls. Enjoy!
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nnirror shhh [Max for Live]

nnirror shhh
FANTASTiC | 08 April 2024 | 63 KB
shhh is a Max for Live audio effect device that plays back the quietest or loudest slice out of 4 stereo input sources, independently in the left and right channels, with a variable slice time for computing loudness.
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Nasko N-STEREO+ [LIVE 11] [Synth Presets]

Nasko N-STEREO+ [LIVE 11]
FANTASTiC | 08 April 2024 | 14 KB
This ableton live rack lets you create your own mono-compatible, complex parallel stereoization effects with ease.

N-STEREO+ turns stereo effects parallel without touching the dry signal, allowing for complex exotic stereo effects without compromising the sonic character of the original signal.
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aiXdsp Multiband Compressor v2.0.2.0 [WiN]

aiXdsp Multiband Compressor
BUBBiX | 08 April 2024 | 87.64 MB
Multiband compressor with hold and punch controls, upward AND downward expansion. Zero Latency. FEATURED VIDEO. Problem: In some ways, very similar to the dynamic eq, but when an entire range of frequencies needs to be dealt with. For instance, on an overhead track, you might want a very different attack, release, threshold and ratio on your cymbals than on the low end of your shelled drums.
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