AudioLove

Volume 2 of D's Drums consists of over 50 drum sounds and sfx from the first Retro'd to use in your own compositions.

All sounds come in WAV format, and have been mixed, normalized, and exported for use in any DAW including Fruity Loops, Ableton, Pro Tools, Logic etc.

pure:unmask effortlessly tidies up your mix and prevents, thanks to spectral unmasking, any audio interference in the frequency spectrum between two tracks.

30 CUSTOM MADE OMNISPHERE PRESETS. Contains: 8 PLUCKS. 7 PADS. 7 KEYS. 4 BASS. 5 PADS. 4 LEADS. Must make Fire Beats with This Bank - No Trash Permitted! Requires Omnisphere 2.5 Or Higher To Work Properly.

LEXICON 224 REVERB IMPULSES RECORDED ON 2“ ANALOG TAPE. Vintage Lexicon 224 Impulse Responses are Recorded on a 2“ Vintage Telefunken M15 Tape Recorder through a Vintage Neve Console.

Jersey & Sturdy Drumkit made by geenaro and Ghana Beats.

Samples by Tigran, Giuzzy, Vogue, xstzy, Sukhcess.

introducing jumble, an idiosyncratic sampler that embraces simple randomisation within a confined structure to create new ambient soundscapes and backdrops. effortlessly load your favorite sample and let jumble dynamically shift between random positions, unveiling previously unheard melodies and rich textures. send the result through crystal clear delays and an expansive reverb, then modulate the amplitude and frequency content of the sample to craft intricate sonic tapestries.

Everything you need to record, produce, mix, master, and perform. Studio One 6 makes creating fast and easy with new Smart Templates, intuitive drag-and-drop workflow, a customizable user interface and powerful, integrated tools.

Everything you need to record, produce, mix, master, and perform. Studio One 6 makes creating fast and easy with new Smart Templates, intuitive drag-and-drop workflow, a customizable user interface and powerful, integrated tools.

Theia provides easy access to the mighty Hyperion synth and its gorgeous expansive sound library with close to 600 presets. Its performance focused interface places the core controls of each sound within easy reach, allowing you to effortlessly browse complex patch designs and focus on making music. An instant source of musical inspiration for music producers of all genres.

Hyperion is a powerful VST3/AU plugin and standalone synthesizer for Windows and Mac which features multiple synthesis types, totally flexible patching, and up to 16 layers of MPE capable polyphonic sounds with individual key and velocity zones, pitch bend ranges, tuning, arpeggiator and individual per-layer effects.

When you combine a velvety SHIMMER effect with a simple to use GRANULAR engine and top it off with an epic spacey REVERB it becomes apparent... LOVE is all you need.

Ultimate Workflow. We've all been there: you browse through hundreds of kicks, but nothing really works. One has a nice transient, another one a cool punch in the face and the third has the perfect boomy tail. But once you layer them the result is a weak muddy mess: layering kicks is rarely successful.

‘2 Hearts’ serves sweetness and bounce, pairing bubbly melodies and skippy drums indebted to late ‘90s and 2000s UK dance music. Y2K-era sounds and samples mixed with modern pop production and cool, breezy bedroom pop vocals. Diving deep into contemporary Drum and; Bass and Garage aesthetics, with sharp edges removed, creating a softer pop sound blending crisp 2-step drums, DIY guitars, reese bass, and iconic vocal chops.

Only a handful of drum 'n' bass record labels can boast a quarter-century of continual activity amidst the highest echelons of the scene. Technique Recordings is one of them. It's a significant milestone for any label to reach, especially in a genre considered underground for most of that time. 

Gareth Grover Snake Beats is our first drum pack with the incredible Rattlesnakes drummer Gareth Grover. We had the unique opportunity of getting Gareth back into London’s Livingston Studios where he recorded the Frank Carter and; The Rattlesnakes’ latest album, Dark Rainbow. Gareths’s Gretsch Broadcaster kit was set up just as it was for the album recording, with Livingston’s extensive selection of vintage mics, outboard and SSL desk. We were even lucky enough to hire Dan Moyler, the awesome sound engineer who worked on the album, to do the recording. The result is an album of powerful rock beats, grooves and one shots that sound absolutely incredible.